cardinalcapaldi:

I was waiting for Clara to do this when she was holding the watering can, so I decided to just draw it at the very least. 

7 Billion of smiles, and yours is my favorite. —Geovane Pereira.  (via queenbgk)

calzona-s:

Get to Know Me Meme: [9/10] Relationships » Mulder & Scully
↳ “You’re my one in five billion.”

赤い子

#rwbt

First of all, I wanted to thank you. Before I started watching the show, I was really in the closet and I was totally ashamed of who I was. I hated myself. I started watching the show and seeing Cosima and seeing that everything is not about her sexuality and that she is more than her sexuality. My parents weren’t okay with me being gay. I started watching the show with my mum and its helped us start to rebuild our relationship because she sees Cosima and she sees that it’s okay and that people are more than their sexuality. I wanted to thank you for that. And my question is, what’s it like to have that effect on peoples lives? And to know that you are saving people’ lives like you did for me?

The ‘yes or no’ game.

lordskate:

You can ask me anything and I’ll answer honestly, but only with yes and no.

foxsmulder:

I think that [Mulder and Scully’s] relationship is defined not by what’s being said, but by what’s being withheld. But it’s absolutely plain that they love each other — in their own way. It’s the best kind of love. It’s unconditional. It’s not based on a physical attraction, but on a shared passion for life and for their quest. These are romantic heroes, romantic heroes in the literary tradition.

—Chris Carter

Writers have been hearing about the importance of “showing” for so long that they’ve begun to forget the value of “telling”—of exposition, of summary, of omniscient narration.

If you’ve got something worth showing, then by all means show it. If it’s dramatic action, let us see it happen. If it’s a scintillating exchange of dialogue, then let us hear it, every word.

But don’t be afraid to tell us things, too. Don’t be afraid to tell us, with all your powers of description and even a bit of attitude, about an atmosphere, a landscape, about what’s going on in a character’s mind or in the larger world of your story.

Robert Masello, Robert’s Rules of Writing: 101 Unconventional Lessons Every Writer Needs to Know (via coffeehousehaunt)
darvll